"Untitled: Horizontal Abstraction, ca. 1949-50" by Gertrude Barrer, Amer., (1921-1997) POR a variably inked impression due

a variably inked impression due to a large fiber inclusion at lower left

(60 plus 12 proofs) in the 2nd

" in pencil

conventionalized form and equality between of positive and negative space as design elements

On thick cream wove paper

"Untitled: Horizontal Abstraction, ca. 1949-50" by Gertrude Barrer, Amer., (1921-1997) POR a variably inked impression dueca. 1949 50, Ink and Crayon Resist, 11 x 12 7 8, signed in pencil verso, on stiff crream wove paper. This early piece, with it's dark, subterranean ground, earthy palette and ghostly germinative forms, relates strongly to Barrer's other mature paintings. As she embraced, personalized, then transcended Indian Space concerns for all over patterning and ambiguity between positive and negative form, Barrer infused her own hybred imagery with elements of